Pouya and Fat Nick, the so-called ‘Ren and Stimpy’ of rap, built their brand name on being lovable knuckleheads. But just last year, one of those had been quietly accused of intimate attack.
In October of 2013, a thin white kid known as Kevin Pouya uploaded a video clip to YouTube called “How to obtain Free Donuts. ” The movie opens on Pouya, appearing such as a preteen Travis Birkenstock, facing the digital digital camera. “Check it down, try it out, ” he says, “This is the manner in which you have free donuts, from Dunkin’ Donuts. No. Cash. Recommended. ” The camera follows Pouya and a friend as they order at a drive-thru window, grab a box of glazed, and speed off without paying, cackling out of the lot over a piano soundtrack straight from The Sims.
Miami rapper Pouya’s early YouTube show, Nick and Pouya Show, produced together with his friend that is best and longtime http://www.speedyloan.net/installment-loans-tn collaborator, Fat Nick, had been filled up with pranks similar to this one—silly, unscripted, low-budget, funny simply to those included. But almost couple of years later on, after Pouya scored 1000s of streams on SoundCloud, somewhat more body mass, and a coveted spot in South Florida’s rap scene, he still cited their YouTube show once the beginning of their job.
“Comedy had been our initial thing, ” Pouya stated of their partnership with Fat Nick on No Jumper, a favorite hip-hop podcast whose interviews with underground rappers act as some sort of litmus test for long-lasting viability. But even yet in their 2nd thing—writing the rough, melancholy pubs now similar to Southern Florida rap—Pouya and Nick constantly branded by themselves as amiable goons. The set have classic comedy size differential (Pouya plays a skeletal David Spade to Nick’s Chris Farley), fast banter, and a dark, cartoonish sensibility, leading one journalist to dub them the “Ren and Stimpy of rap. ”
Into the time since, the duo became regulars into the sphere of SoundCloud rap, with a name sign in the latest York Times’ definitive article about them and constant commercial success. In 2016, Pouya featured on “Dat $tick, ” the breakout solitary from Indonesian MC deep Brian (then Rich Chigga), who now figures on the list of biggest names in rap. Round the exact same time, Pouya dropped Underground Underdogs, which climbed iTunes’ hip-hop charts for almost a week. Later on, his 2017 collab with Fat Nick, Drop away from class, implemented suit. Then Five Five, a well-received mixtape released in March (called for the rapper’s height), prompted Pouya to announce a month-long trip across European countries for early this autumn.
But final September, amidst their job growth and merely a fortnight before Harvey Weinstein’s misconduct that is sexual caused a cataclysm of #MeToo moments, the rappers’ reputation took a change for the severe, whenever a 22-year-old tattoo artist filed a police report, accusing Pouya and two users of their entourage of intimate attack.
A spokesperson wrote on Pouya’s behalf that the rapper categorically denies engaging in non-consensual sexual conduct with anyone in a statement to The Daily Beast. He claims not to have experienced sexual connection with the accuser, also to be “prepared” to simply just simply take her allegations to court.
“Mr. Pouya is certain that a fundamental research associated with facts will expose why these claims are false, ” the representative had written, “and as soon as evidence is evaluated these allegations will likely be determined to own been created by a disingenuous man or woman who is looking for attention beneath the umbrella of the #MeToo movement. ” Law enforcement report ended up being filed on September 24, 2017. The #MeToo motion shot to popularity after 5, 2017 october.
The storyline starts during the early 2015, whenever Pouya rose to SoundCloud semi-fame after releasing a few singles, such as the popular track “Get Buck” (2013), and two mixtapes, Stunna (2014) and Southern Side Slugs (2015). Though nevertheless mostly unknown, Pouya’s tiny but rabid following attained him an area on No Jumper, talking to the podcast’s notorious host, the BMX-blogger, hip-hop tastemaker, and recently accused sexual assailant Adam Grandmaison, better referred to as Adam22. (Grandmaison denies the allegations. )
The then-20-year-old Pouya described growing up in Miami with his grandmother, meeting Nick in the seventh grade, and becoming fast friends in the episode. They skated, made quick videos for their YouTube channel, and soon after, after both boys dropped away from twelfth grade, broke into rap.
The pivot from comedy to music wasn’t random—Pouya and Nick that is fat were with people in Raider Klan, the hip-hop collective spearheaded by the musician called SpaceGhostPurrp, whom helped place Southern Florida music in the map.
Pouya’s No Jumper look proved immediately popular–then among the show’s most viewed—and into the after months their profession gained energy, prompting Adam22 to invite the rapper back into the podcast simply 10 months later (“His profession is continuing to grow like hell, ” the host composed into the show records. ) Section of that appeal stemmed from Pouya’s silly schtick (he and Nick are laughing throughout) and from their frankness. The rapper talked freely about anxiety, despair, and intimate insecurity, but in addition about explicit intimate escapades that take for an ominous tone in light regarding the allegations against him.